Saturday, May 16, 2026

MEMOIR WRITING by Judy Fowler


With the rollback of the Voting Rights Act this month and a wave of restrictive policies targeting certain American voters, I recalled a lesson from a Wesleyan professor on how to write an effective piece of memoir.

Two of the professor’s tips helped our submissions hit harder, especially when no personal expertise or famous name provided a rationale for reading us or giving us a million likes. The suggestions? Have the other characters speak, at least once—their lines of dialogue can be proximate and not word-for-word exact. Secondly, blend into the writing some public event—something that had made the papers around the time of the memoir’s setting—to ground the reader in history, especially if the memoirist themself is not a well-known personality.

Here’s my example:

I was three years old when, on May 17, 1954, Brown v. Board of Education made integrated education in America the law of the land.

Some states did their best to pretend they hadn’t heard the news.

I lived in a Long Island community whose school board was paid to set up one model integrated classroom a few years later. By random assignment, I began first grade in that classroom. Looking back now, I see why our class met in a classroom at a Jewish temple far from the comprehensive elementary school in town. Although the synagogue was elegantly nestled into some tree-filled acreage, the temple was also located near a series of dilapidated streets in the downtown area.

During class hours, we learned what every first grader did. We went outdoors for recess, where I read books on the sidewalk while more active girls jumped rope. We pledged allegiance to the flag, practiced the box step in pairs, and helped each other learn math. 

By 1959, American class photos were taken in color. When I brought mine home, my older brother—himself the product of white-only classrooms for nine years longer than I’d been alive—mocked me for “being in love with” the black boy who had been posed by height next to me. To be accused of being in love was the insult I took away; it was years later that I understood that the well-dressed, smiling second grader named Sammy who stood next to me was, to my brother, the joke.

In third grade, my classmates and I were folded back into the elementary school. Right away, we experienced a change. All white boys, even the ones we’d had to help over and over again to multiply or to sound out words, got assigned seats in the front four rows of class. Behind them were the white girls. Our black classmates were assigned to seats in the last row. On the playground, the black girls’ Double Dutch tournaments were gradually elbowed over to the far end of the field, until they went on as if held in a foreign country. Close to the school were the cemented-in equipment and the running games organized by white kids. We waved to former classmates as we passed each other in the hall, until our assimilation into the new place was completed. A day came when I was standing at the far end of the playground, saying goodbye to a new (white) friend who had to go home early. 

A former classmate called out to me from the sandy field to ask if I’d turn ropes for her jumping game, as they were down one turner. I did an adequate job until it was my turn to jump. Again, I was more of a reader than a jumper.

“Just jump in,” my old classmate encouraged, but I hesitated, and when the ropes stopped turning abruptly, my hesitant entry resulted in me crying on the ground. I’d broken my arm.

I cried. My old classmate came rushing to me and cried with me. It felt good that she’d come to my side.

Hearing that someone was hurt, the teacher assigned to monitor the playground that day rushed towards us.

“What did you do?” she shouted at my old classmate. That teacher, all sympathy toward me, helped me stand and then circled my waist with her arm as she led me to the nurse’s office.  

My old classmate and I only had time to look at each other briefly before the teacher escorted me away. In that look, we admitted to each other that our new teachers had little we wanted to learn from them.

As the anniversary of Brown v. Board of Education comes around this May, I share this bit of history, especially with those kids who started school when I did, when integrated education lit the way to an America that has turned back to something as disappointing and confusing as my brother’s jarring reaction to that class photo. We went to the Moon more easily than we repaired inequality. And now we’ve gone again toward the Moon, without once shaking our fists at the rocket ship, and shouting, “What have you done to us?”

 

  

 

Saturday, May 9, 2026

A TRIBUTE TO MOTHERS By Sheryl Jordan

 


On Mother’s Day, we pause to honor the women whose love has shaped our lives—mothers, grandmothers, stepmothers, adoptive mothers, and every mother-figure who has cared, guided, and stood strong.

A mother’s love is often quiet and constant—heard in the early-morning check-ins, felt in the extra plate of food, and seen in the way she shows up again and again, even when she is tired. It is the kind of love that makes a house feel like home and a hard day feel survivable.

Mothers teach us long before we understand the lesson: how to be brave without being loud, how to care without keeping score, how to keep going when life demands more than we thought we had. Their sacrifices don’t always look like grand gestures; more often, they look like patience, persistence, prayer, and the steady work of loving a family well.

Mother's Day, we say thank you—for the hugs that healed, the words that guided, the boundaries that protected, and the hope that never let go. Thank you for the strength you carried, the kindness you modeled, and the love you gave in a thousand ordinary moments that turned out to be extraordinary.

To every mother: may you feel celebrated, valued, and deeply loved today—and may the care you’ve poured into others return to you in peace, joy, and gratitude. Happy Mother’s Day.


Saturday, May 2, 2026

Jeff Tanner Interview by Teresa Inge

Meet Jeff Tanner, whose novel The King's Collar will be released by Koehler Books on June 30, 2026.

Jeff holds a PhD in marketing and published fifteen books on sales and marketing, including two bestselling textbooks. He spent his career in higher education, retiring as dean of the Strome College of Business at Old Dominion University. You may recall his daily business program on NPR.

In addition, he has published short stories in several anthologies and written/produced multiple plays. He, his wife, and a four‑pound Maltese named Boo divide their time between grandkids in three states and Virginia’s Eastern Shore. They add a bit of excitement by owning and racing thoroughbreds.

He is a member of Sisters in Crime and its Southeastern Virginia Chapter, Mystery by the Sea.

Tell us about your new novel, The King’s Collar.

I wanted to write a mystery that was part Maltese Falcon, part Indiana Jones. I’ve been surprised at how many readers described The King’s Collar that way without any prompting.

Expelled at Harvard and disowned by his father, Charlie “Bones” Bohannon quickly falls to the underworld’s fringe. Befriended by former sailor Punchy, he begins buying and selling smuggled items. Charlie discovers a statuette in a speakeasy bar, similar to one stolen from his dean, who says return it and graduate. But it vanishes, and the man who took it is found murdered. The dean accuses Charlie, whose ironclad alibi doesn't deflect the pressure to find the statuette.

Through a series of misadventures, Charlie and Punchy become members of the Solomon mob. Solomon demands the missing statuette and its legendary counterpart, the jewel-encrusted King’s Collar. Charlie, Punchy, and bold Beacon Hill socialite Olivia search while dodging rivals for the Collar, one of whom gives Charlie a week or face death.

When Olivia and Punchy are kidnapped, and the Collar is the ransom, Charlie’s time is running out. But finding the Collar is no guarantee that he—or his friends—will survive.

What kind of research did you do for the book? Any strange or odd fact that you uncovered in your research?

Comprehensive! I relied on books, archival websites, and historians’ YouTube videos. I even followed Charlie’s walks through Boston to ensure that I reported the distance and time accurately.

Irish Catholics weren’t permitted in the elite Protestant men’s clubs, so in the book, they meet at the Parker House Hotel. I visited the hotel and learned that my choice was accurate. In fact, Joseph Kennedy proposed to Rose at Table 40, which you can now visit!

Where are your books available for purchase?

The King’s Collar is now available for pre-order on Amazon, and Bookshop.

What are you currently writing?

Dolls, book two in the series, publishes in December. Books three and four I intend to bring out in 2027. I’m currently working on book five.

Anything else you want readers to know about you?

Besides being an avid golfer and skier, I’m also a furniture-maker. I took up the saxophone after a very long hiatus, and I’m loving it!


Jeff Tanner https://www.authorjefftanner.com


Saturday, April 18, 2026

WHO RODE WITH YOU, PAUL REVERE? by Yvonne Saxon

“Listen, my children, and you shall hear

Of the midnight ride of Paul Revere,

On the eighteenth of April in Seventy-five,

Hardly a man is now alive

Who remembers that famous day and year.”  -from “Paul Revere’s Ride” 

 

by Henry Wadsworth Longfellow-1860


Saturday, April 11, 2026

THE 1950S KITCHEN: MODERN CONVENIENCE MEETS DOMESTIC IDEAL by Ellen Butler

Ariadne Winter is far too busy clawing her way up the journalism ladder to fuss over perfect meringues. Ambitious, driven, and unapologetically career-minded, she has little patience for the domestic ideals so carefully prescribed for women of the 1950s. Fortunately, she isn’t married—yet. In her world, middle-class wives are expected to surrender their professions for aprons and routines, trading ambition for spotless kitchens and well-fed husbands. Should Ariadne ever yield to the life her mother envisions, she might at least find some consolation in the gleaming promise of modern appliances—those marvels of convenience designed to make domesticity seem less like confinement and more like progress.

Saturday, April 4, 2026

BIBLIOTHERAPY AND LOSS by Jeff Tanner, Guest Blogger


[
I had another blog post ready to go, but recent events have pushed that aside.]

When I was young, I was the kid who checked out a stack of books from the library as big as I could carry. I read everything – from Encyclopedia Brown to classics like Twain and Dickens, then Agatha Christie to That Was Then, This is Now, Watership Down, and short stories like “Success” and “The Lottery.” I learned so much from books.

But not everything.

Saturday, March 28, 2026

THE ART OF STORYTELLING: PART I: THE CONNECTION TO CHARACTER By Penny Hutson


Have you ever wondered what makes readers like some stories more than others or why some stories last for ages and others do not?

Just as Robert Ripley's famous series dares us to "Believe It or Not!" I assert that while all good stories contain many of the same elements, to create a riveting tale that readers can't put down, there is one simple yet powerful tool you can use to create such stories. 

Common Elements in a Good Story

First, and foremost, a story must entertain. I don’t mean it can’t be serious or important, nor am I suggesting stories should all be amusing or light-hearted; but a good story is engaging, interesting, or enjoyable to its audience. This may account for the popularity of the traveling troubadours and bards of the Middle Ages. They knew all the popular tales, as well as the noteworthy theses from the universities, the healing power of herbs and simple medicines, and the scandals of the royal court. Many also played one or more instruments and could compose poetry at a moment’s notice. Essentially, they knew what their audience wanted to hear, and they delivered it. 

MEMOIR WRITING by Judy Fowler

With the rollback of the Voting Rights Act this month and a wave of restrictive policies targeting certain American voters, I recalled a les...