In Lewis's story the world is gray, and bleak and cold. Winter in our world can be bleak, harsh, cold and dreary. Bareness is everywhere: brown, stubby, empty fields, leafless trees, empty parks devoid of people. Shorter grayer days and longer darker nights send us inside to huddle and isolate. Christmas calls us out.
I wonder if you are like me when you begin writing a new story. Because I’m such a nice person (tongue in cheek here) I want my characters to be nice too. Most of my real-life friends are nice and I tend to think of them when I’m creating a character, so my fictional characters tend to be nice also. See the problem? A story must have conflict. Without conflict there is no story.
Some writers like to create a really mean, ugly character to serve as the story’s villain. Like Crabby Appleton, “rotten to the core.” This was a cartoon character on TV a long time ago. You didn’t need to know why he was so rotten. He just was. You can sometimes find these villains-for-no-apparent-reason in mysteries, but they are not satisfying. I think they give the story a cartoonish feel.
We need to write characters that feel real and we need conflict or there is no story. Therefore, you just have to pull up your socks and develop some characters you don’t like. You need to understand why they act the way they do. You must accept that their actions and opinions are part of who they are. Why are they like this? I try to invent a childhood for my ornery or hateful characters that points to possible reasons why they are like they are. But this seldom happens in real life. We rarely figure out why a person is that way. People are much too complex to be explained by simple cause-and-effect theories.
Think of the recent presidential election. Regardless of which side you were on, did you really understand why others felt so differently from you? Were you tempted to get up on your soapbox and point out how those other folks were just wrong? Could you describe the election from someone else’s point of view? Do you understand that their point of view is really true for them?
As a writer you don’t have the option of using a soapbox. You have to dig deep within yourself and find understanding. You need to be able to write out, on paper, your offensive character’s thoughts on the conflict at hand. You don’t necessarily have to know why he feels as he does, but you do have to know that these are his real feelings. Remember, he sees the world through a different lens. Can you imagine how the world looks to him?
Does your character have any idiosyncrasies that reveal his true nature? She uses lots of air quotes? He overuses use of words like actually? You can use these to enrich the picture and bring the conflict into sharper focus.
A lot of people subscribe to the idea that children are blank slates, and the adult is merely the result of what the world has written on the child’s mind. I’m not sure it’s that simple. But you should think about what has made your ornery character like he is, and it helps to think a bit about his childhood. You don’t have to include it in your story, but you may want to try writing it out just for yourself.
And while I’m thinking about it, give your main character some flaws and foibles as well. Perfect people are boring.
"Always winter, never Christmas" is one of my favorite lines from C.S. Lewis's book The Lion, The Witch, and The Wardrobe. ...
