NAMING YOUR CHARACTERS by Maria Hudgins

 

I feel like some writers give their characters random names. Maybe they throw darts at a phone book or something. But this system would now be obsolete. (What's a phone book, Daddy?) But in fact one famous writer did just that. Allegedly. Somerset Maugham is said to have named a couple by the phone book method and chosen their address from a street map of London. It is said that Maugham was threatened with a lawsuit when a couple with a similar name actually lived at a similar address and took exception to Maugham's version of the shenanigans going on at their house.

CAPTIVATING CHARACTERS by Maria Hudgins

The only thing better than discovering an epic fictional character is creating one yourself. How is that done? How did Conan Doyle think up Sherlock Holmes? Did Agatha Christie know a Miss Marple? How did Johnny Depp know that portraying Captain Jack Sparrow like Keith Richards would be more fun than the old "Arghh!" growling pirate? If only we knew the answer we would all be millionaires. but usually the act of timeless character creation is chalked up to "genius" and we assume we can't do it. Can we look at this a bit more? Who flies off the page (or the screen) and grabs you? A great story needs characters that grab you.

CHARACTERS, CONFLICT, AND THE MYERS-BRIGGS TYPE INDICATOR® - (Part II) by Michael Rigg

 

Myers-Briggs (careerfitter.com)

Wow! How time flies when you have great blog posts to read every week! Seems like only yesterday when last we chatted. But it was eons ago—the beginning of June. We’re already in August!

My previous blog provided an overview of how I’ve come to understand the Myers-Briggs Type Indicator^® (MBTI) and its use as a tool for developing characters and conflict in your stories. Feel free to take a couple of minutes to review it by clicking here.

In the meantime, here’s a quick refresher:

Katherine Briggs and her daughter Isabel Briggs Myers developed the MBTI. According to Introduction to Type^®, published by CPP, Inc., the MBTI springs from the psychological type theory of personality developed by Swiss psychiatrist Carl G. Jung to explain normal personality differences between healthy people.   

CHARACTERS, CONFLICT, AND THE MYERS-BRIGS TYPE INDICATOR® by Michael Rigg

King Neptune
Virginia Beach Oceanfront

Writers, and readers, know the importance of characters. In Characters & Viewpoint, Orson Scott Card reminds writers of something we should know almost instinctively: “… readers want your characters to seem like real people. Whole and alive, believable and worth caring about. Readers want to get to know your characters as well as they know their own friends, their own family. As well as they know themselves.” 

But having characters worth caring about isn’t enough, is it? There has to be more to keep readers turning pages and saving their pennies to buy the next installment in your series about a serial-killer-turned-nun who runs a detective agency out of a convent. That something else is conflict. As James Scott Bell tells us in Conflict & Suspense, “Conflict has long been recognized as the engine of story. Without conflict there is no drama. Without drama, there is no interest. Without interest there is no reader. And no writing career.”