HOW TO SPEAK TO A GROUP ABOUT YOUR WRITING By Maria Hudgins

 

I'm not really sure why anyone would want to hear me speak about my writing, but people do ask and I am flattered. And frightened. Frightened, because standing up in front of a group of literate people most of whom are probably smarter than I am makes me feel like a third grader reporting on a book he hasn't read. Writing is so much easier than speaking. I can delete and change and try to remember what I meant to say when I started this.

I wonder. What do they want to know about me? About my writing? I'm not a very interesting person but I hope my books are. Why did they ask me? I have heard some intriguing talks by writers like Stephen King, Louise Penny, and Colin Dexter, but their experiences are not mine. I have to come up with my own. 

I have two speaking engagements coming up soon, and I'm searching for ideas. So far, nothing.

What do I want when I hear another writer speak? I want them to tell me what they are thinking about right now. Maybe it will give me an idea.

But then there's the old, "Where do you get your ideas?" Answer: Who knows? Ideas come at you from out of the blue and all at once. The great thing is to keep your mind open for ideas when they do come. Some writers keep a note pad and pencil on their bedside table. Works for some, but not for me. I wake up and read what seemed to me brilliant, earth-shattering, insight at 2 am, but at 8 am, it says (barely legible) something like, "Hoggamus, higgamus, all men are bigamous;  higgamus, hogggamus, women are monogamous."

(I've heard this silliness attributed to several different people, but I don't know who said it first. )

Sometimes people are curious to know how I write. How do I start? On my first book, "Death of an Obnoxious Tourist," I hit upon a good way to put my experience as at science teacher to work. I got a foam-core  three-sided science project board and glued pictures of my characters on one side, pictures of houses, cars, other scenes that looked like the settings in my head on the other, and in the middle, a table showing chapters, major events, etc. It worked well, but I have changed the system little by little until now it's more like a dozen or more pages for character descriptions, major plot points, and background info.

Most people are curious to find out: How did you get published? Do you have an agent and can I have their name? Do you have to pay anyone? I have no answers for any of these. I have only my own experiences and things change constantly in this volatile market. I would encourage anyone determined to get published, to attend conferences and gatherings that concentrate on the genre you love, and make contacts.

The most important thing, I think, is don't be boring. Whether you say anything illuminating or not is less important than making your audience glad they came.