Last month, I had the pleasure of
attending Malice Domestic, an annual convention that celebrates traditional
mysteries, with a focus on Agatha Christie-style storytelling. Since its inception
in 1989, this event has brought fans and authors together for a fun and friendly
experience. Currently held each April in Bethesda, Maryland, it offers a mix of
author panels, book signings, and engaging mystery-themed activities.
My own journey with Malice began twenty years
ago, accompanied by my husband, daughter, and mother. Although I was initially
nervous—surrounded by so many accomplished writers and knowing no one—I was
warmly welcomed by Malice volunteers, members of Sisters in Crime (SinC) an
organization dedicated to supporting female crime writers, as well as other
authors and fans. I then realized I had
found a place where I truly belonged which reminded me of the Cheers show theme
song.
Fast forward to last month, and Malice
Domestic still exudes the same heartwarming “family reunion” vibe, complete
with cheerful hugs, laughter, and enthusiasm shared with old friends and new
ones. Over the years, this convention has had a profound impact on my writing
career. It has helped me forge connections with fellow writers, build lasting
friendships, discover publishing opportunities, and hone my writing craft. Now,
I take pride in welcoming newcomers, just as I was embraced all those years
ago.
This year's highlights included Malice Go Round Speed Dating, New Authors Breakfast, an annual lunch with the Short Mystery Fiction Society, a SinC gathering featuring an "Agatha signature cocktail" and appetizers, a captivating Sherlock Holmes play, the Agatha Awards banquet, an after-party, and panels like "Nancy Drew and the Hardy Boys" and "Living in a Modern World: Women Take the Lead." There were fabulous interviews with the guest of honor Marcia Talley, lifetime achievement honoree Donna Andrews, and toastmaster Gigi Pandian as well as a book room overflowing with literary treasures, rounded out an unforgettable experience.
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