THE SURPRISING POWER OF GRATITUDE by Penny Hutson

It’s November, and on the East Coast that means two things. The weather cools and the leaves turn to a beautiful red, gold, and orange. Across America we also celebrate one of my favorite holidays – Thanksgiving. Family and friends gather around the table for a wonderful meal in a meager attempt to honor the shared autumn feast between the Plymouth colonists and the Native American Wampanoag people back in 1621.

During the Thanksgiving holiday season, we often talk of being grateful or giving thanks for what we have. The word “thanks” is even in its name; but if you knew the true benefits of being grateful, you’d want to do it all year long.

In M.J Ryan’s Attitudes of Gratitude: How to Give and Receive Joy Every Day of Your Life, the author lists fifteen ways that being grateful is good for us. She calls them “the gifts of gratitude.”

While I won’t write about all fifteen, I will highlight a few that surprised or enlightened me. Of course, she included the more obvious results like feeling more joyful, kind and generous.

What I found interesting, however, was the medical evidence she cites showing that emotions such as gratitude and love strengthen and enhance our immune systems. When we harbor negative emotions like worry, anger, and hopelessness, we can reduce the number and slow down the movement of disease-fighting white cells in our bloodstreams. That’s not good.

However, the findings suggest that when we focus on being grateful, it reduces those negative emotions and instead releases endorphins into the blood stream. Endorphins are the body’s natural painkillers, and they stimulate the blood vessels. This leads to a relaxed heart and reduces the amount of adrenaline in our bodies which constrict blood vessels and raise blood pressure. In fact, too much adrenaline in our system can also damage arteries and even the heart itself.

So, while you may have known that being grateful is good for your health, you may not have known the specifics.

Ryan says that gratitude also keeps us current because “. . .when we experience a sense of gratefulness, we are usually contemplating some present circumstance.” We stop thinking about any past failures or future worries; thus, Ryan explains, “we are brought up to date with ourselves.”  In other words, we can’t harbor opposite emotions at the same time. We can’t be both happy and unhappy in the same moment. I suppose we could flip back and forth; but to Ryan’s point, if we’re practicing and truly focusing on being grateful, we won’t be focused on what’s wrong in our lives. She recommends we practice being grateful daily. I found all this information rather insightful.

Gratitude also cures perfectionism, according to Ryan. As a self-described perfectionist myself, I am particularly excited by this prospect. First, Ryan quotes Sarah Ban Breathnach who reminds us that after creating the earth, even God declared it “very good” not “perfect.” I don’t think she’s suggesting God is less than perfect. I believe her point is that He would not expect us to be.

Ryan points out that “. . . perfectionism is born of a sense of inadequacy, of lack,” and that “. . . gratitude counteracts it by tapping us into the experience of abundance.” Again, if we’re focused on what we’ve accomplished versus what’s yet to be done, we are less likely to feel inadequate and better able to resist the urge toward perfectionism.

Another surprising gift of gratitude is that it draws people to us and helps us keep them in our lives. “When we are grateful,” says Ryan, “we exude happiness and that makes us magnets that draw people toward us.” It’s true, I believe. Don’t we all prefer to be around upbeat, happy people? Of course, we all complain occasionally, but no one likes a constant whiner or an overly negative person.

And the last one I’ll mention is how gratitude can release us from the ‘gimmes.” According to Ryan, consumer debt and personal bankruptcies are “. . . at the highest level in U.S. history.” I didn’t research the accuracy of that fact, but I do know we are a culture of consumers and credit card debt. Rarely does a week go by at my house without at least one Amazon delivery. Ryan’s suggestion is to not buy anything new, except for food, for two weeks. During that time notice what you liked about that shirt or other items you already own. Focus on what you have. Ryan claims this gift can help us get “. . . off the consuming treadmill so many of us are caught on.”

The second half of Ryan’s book, which I did not discuss, details how to cultivate and create an attitude of gratitude all year, along with daily practices that will deepen your journey into a more joyous life.

May you have a wonderful, happy, and more grateful Thanksgiving.

WHAT IS GOOD WRITING THESE DAYS? By Penny Hutson

 

Don’t we all know what good writing is? It’s certainly not repeating too many words or using too many of the same words in the same sentence. That’s what I’ve always been taught and taught my students when I was an English teacher, teaching English for many years. Not using incomplete sentences, either. And you should never start a sentence with a coordinating conjunction like “and” or “but” or use a preposition like “with” to end a sentence with.  Anyone annoyed yet?

Okay, maybe that was a bit over the top. However, as a former English teacher trained in avoiding such writing faux pas, I wonder if I notice them more than the average reader. For instance, when I pick up a novel with a ton of repeated words, cliches, or adjectives, I stop reading it and likely refrain from reading other books by the same author. Perhaps that’s unfair, but with so many excellent books and a limited time to read them, I can’t justify spending it on poorly written ones that I truly don’t enjoy. I find myself getting annoyed, often ruminating aloud, “How many times is she going to swallow or bite her tongue? No, his eyes didn’t flash. That’s not even possible!” I believe you get the idea.

Yet, when I look at many of the best sellers and award-winning novels on the market today, I can’t help but notice how often these devices are used. It appears that a vast majority of readers don’t care about such things; and the writers (and publishers) are raking in big bucks to the tune of millions. According to several sources, James Patterson and John Grisham are worth over 800 and 400 million dollars, respectively. They are among the top-selling authors today, but they are certainly not alone. Many others are earning close to or as much and with worse writing, in my opinion.

So, what gives?

Now, I’m not asserting that either Patterson or Grisham are terrible writers whose works don’t deserve to be in print, although I’ll admit I’ve seen many whose publication successes are quite mystifying to me. I have read several books by Patterson and Grisham, including some of their young adult novels, and I enjoyed them. Truth be told, they manage exciting plot lines, interesting stories, and compelling characters even with all the cliches and what I’d call average writing. In fact, it makes me wonder if I’m overly concerned with such things in my own writing, when it appears that most readers in our current society don’t seem to care about or perhaps even prefer such writing.

Of course, I know there’s always been a difference between good literature, like the kind we read in high school and college, and what is often called junk or pulp fiction. You know the kind - those steamy romances, swashbuckling adventure, or detective mysteries essentially telling the same story over and over except with different characters and settings. We know they’re not winning any Pulitzers, but we love reading them anyway. However, there appears to be so much more of the latter being published and purchased today.

So, I’m asking you, as writers, how much do you worry about such things? Do you think readers today care more about the story than the writing itself, perhaps even preferring that style of writing over the more polished, literary kind? Essentially, I’m asking if you think “good writing” has been replaced. What else could explain the enormous profits made by those publishing works without it? I’d love to hear your responses.

IS TRUTH REALLY STRANGER THAN FICTION? by Penny Hutson

 

On a recent sojourn to one of my favorite places, Barnes and Noble, I found the most unusual book. While searching for anything I could find on Joan of Arc, the history of France and the Hundred Years War, I stumbled upon Bad Days in History: A Gleefully Grim Chronicle of Misfortune, Mayhem, and Misery for Every Day of the Year by Michael Farquhar. The cover depicted a cartoon drawing of a wooden Trojan Horse and an ancient Greek soldier tentatively holding an apple up to its mouth. It made me smile, so I added it to my other finds and headed to the on-site Starbucks. With a cappuccino in one hand and a stack of paperbacks and hardcovers cradled in my other arm, I commandeered a table to peruse my treasures.

In the Bad Days in History, the author chronicles the epic misfortunes and terrible bad luck of some of the most absurd and often little-known occurrences of our time with a touch of light-hearted humor. Plucked from the ancient days of yore to the 2000s, this tome consists of 365 uproarious blunders and catastrophes from around the world.

STORYTELLING AND THE ART OF THE MYSTERY GENRE by Penny Hutson

Storytelling likely existed well before recorded history, but the traditional mystery genre is actually quite new compared to some of the earliest stories. Homer’s Illiad and the Odyssey, for example, are generally dated in the late 8^th to early 7^th century BC.  Written in verse, these poems detailed the exploits of all the heroes and heroines, kings and queens, gods and goddesses in the Trojan war, and later King Odysseus’s travels home from the war.

Rarely were stories told or written about the common or everyday folk. Chaucer’s Canterbury Tales were one exception, but they were not written until the 14^th century. Even the few Shakespearean tales of the seemingly ordinary folk like Prospero or Sly included kings, dukes or other noblemen and women. The infamous bards of the Middle Ages dabbled in local lore and legends, but still told of larger-than-life figures who were well known by their audiences. Robin Hood, William Tell, and the Pied Piper came to mind. Those storytellers were also well-versed in the local gossip and scandals of the Royal Court of the day, as well as tales of the heroes in myths and legends such as Hercules or King Arthur. Interest in folklore, tales about the common people, didn’t begin until the late 1700s in Europe, and then later bloomed when the Brothers Grimm published their fairy tales in 1812.