WHAT IS GOOD WRITING THESE DAYS? By Penny Hutson

 

Don’t we all know what good writing is? It’s certainly not repeating too many words or using too many of the same words in the same sentence. That’s what I’ve always been taught and taught my students when I was an English teacher, teaching English for many years. Not using incomplete sentences, either. And you should never start a sentence with a coordinating conjunction like “and” or “but” or use a preposition like “with” to end a sentence with.  Anyone annoyed yet?

Okay, maybe that was a bit over the top. However, as a former English teacher trained in avoiding such writing faux pas, I wonder if I notice them more than the average reader. For instance, when I pick up a novel with a ton of repeated words, cliches, or adjectives, I stop reading it and likely refrain from reading other books by the same author. Perhaps that’s unfair, but with so many excellent books and a limited time to read them, I can’t justify spending it on poorly written ones that I truly don’t enjoy. I find myself getting annoyed, often ruminating aloud, “How many times is she going to swallow or bite her tongue? No, his eyes didn’t flash. That’s not even possible!” I believe you get the idea.

Yet, when I look at many of the best sellers and award-winning novels on the market today, I can’t help but notice how often these devices are used. It appears that a vast majority of readers don’t care about such things; and the writers (and publishers) are raking in big bucks to the tune of millions. According to several sources, James Patterson and John Grisham are worth over 800 and 400 million dollars, respectively. They are among the top-selling authors today, but they are certainly not alone. Many others are earning close to or as much and with worse writing, in my opinion.

So, what gives?

Now, I’m not asserting that either Patterson or Grisham are terrible writers whose works don’t deserve to be in print, although I’ll admit I’ve seen many whose publication successes are quite mystifying to me. I have read several books by Patterson and Grisham, including some of their young adult novels, and I enjoyed them. Truth be told, they manage exciting plot lines, interesting stories, and compelling characters even with all the cliches and what I’d call average writing. In fact, it makes me wonder if I’m overly concerned with such things in my own writing, when it appears that most readers in our current society don’t seem to care about or perhaps even prefer such writing.

Of course, I know there’s always been a difference between good literature, like the kind we read in high school and college, and what is often called junk or pulp fiction. You know the kind - those steamy romances, swashbuckling adventure, or detective mysteries essentially telling the same story over and over except with different characters and settings. We know they’re not winning any Pulitzers, but we love reading them anyway. However, there appears to be so much more of the latter being published and purchased today.

So, I’m asking you, as writers, how much do you worry about such things? Do you think readers today care more about the story than the writing itself, perhaps even preferring that style of writing over the more polished, literary kind? Essentially, I’m asking if you think “good writing” has been replaced. What else could explain the enormous profits made by those publishing works without it? I’d love to hear your responses.

IS TRUTH REALLY STRANGER THAN FICTION? by Penny Hutson

 

On a recent sojourn to one of my favorite places, Barnes and Noble, I found the most unusual book. While searching for anything I could find on Joan of Arc, the history of France and the Hundred Years War, I stumbled upon Bad Days in History: A Gleefully Grim Chronicle of Misfortune, Mayhem, and Misery for Every Day of the Year by Michael Farquhar. The cover depicted a cartoon drawing of a wooden Trojan Horse and an ancient Greek soldier tentatively holding an apple up to its mouth. It made me smile, so I added it to my other finds and headed to the on-site Starbucks. With a cappuccino in one hand and a stack of paperbacks and hardcovers cradled in my other arm, I commandeered a table to peruse my treasures.

In the Bad Days in History, the author chronicles the epic misfortunes and terrible bad luck of some of the most absurd and often little-known occurrences of our time with a touch of light-hearted humor. Plucked from the ancient days of yore to the 2000s, this tome consists of 365 uproarious blunders and catastrophes from around the world.

STORYTELLING AND THE ART OF THE MYSTERY GENRE by Penny Hutson

Storytelling likely existed well before recorded history, but the traditional mystery genre is actually quite new compared to some of the earliest stories. Homer’s Illiad and the Odyssey, for example, are generally dated in the late 8^th to early 7^th century BC.  Written in verse, these poems detailed the exploits of all the heroes and heroines, kings and queens, gods and goddesses in the Trojan war, and later King Odysseus’s travels home from the war.

Rarely were stories told or written about the common or everyday folk. Chaucer’s Canterbury Tales were one exception, but they were not written until the 14^th century. Even the few Shakespearean tales of the seemingly ordinary folk like Prospero or Sly included kings, dukes or other noblemen and women. The infamous bards of the Middle Ages dabbled in local lore and legends, but still told of larger-than-life figures who were well known by their audiences. Robin Hood, William Tell, and the Pied Piper came to mind. Those storytellers were also well-versed in the local gossip and scandals of the Royal Court of the day, as well as tales of the heroes in myths and legends such as Hercules or King Arthur. Interest in folklore, tales about the common people, didn’t begin until the late 1700s in Europe, and then later bloomed when the Brothers Grimm published their fairy tales in 1812.