YOU MIGHT BE A WRITER, IF . . . By KIMBERLY THORN

If you ever start out on Google or Bing researching a topic for your book but hours later you wound up watching talking dog videos on YouTube, you might be a writer.

 

If you have ever fallen asleep with a wonderful, fully plotted novel, but you wake up with you only remembering your dream of riding on a unicorn while saving the world from miniature robots, you might be a writer.

If you have had writer’s block for a week, but get into the shower and come up with that one scene that you’ve been working on for a week, you might be a writer.

 

If you keep a notebook and pencil by your bed to write great story ideas from dreams that you have had when you wake up at 3am, but can’t read your own writing, you might be a writer.

 

If you are working on a murder mystery and have to clear your search history because your scared you may be on the FBI watch list, you might be a writer.

If out in public you find yourself listening to peoples conversations and think to yourself, oh my goodness, that is so funny, that gives me a fantastic idea, you might be a writer.

 

If you are working on a story, only have three hours left in your deadline, debating with yourself if you should or should not submit it, you might be a writer.

 

 

 

WOMEN IN WARTIME: BETSY DOWDY’S RIDE by Yvonne Saxon

December 6, 1775: The awful news comes to the Dowdy’s from a neighbor who’d just returned from Virginia: Lord Dunmore is burning homes and slaughtering the colonists’ livestock and horses. He’s now threatening the Great Bridge, the only trade route and post road the Dowdy’s and their neighbors have from their home in Corolla, on the Outer Banks of  North Carolina. Their livelihood is at stake. Sixteen year old Betsy Dowdy fears for her family, the farm animals, and even the Banker ponies, the wild horses that roam the Outer Banks. Betsy knows that there is a militia strong enough to help stop Dunmore in Perquimans County. But it’s fifty miles away.

A CLOSED CIRCLE OF SUSPECTS by Maria Hudgins

One of the most popular schemes employed by mystery writers can be described as "A Closed Circle of Suspects." This fairly well describes the story I'm working on right now. The setting for my story is a Health Spa Resort in a foreign country. But this isn't a truly closed circle because the characters can come and go if they want to. They aren't captives. I'm fully expecting someone to level this charge at me at some point. But I've learned something important about this business of categorizing fiction, especially mystery fiction. It doesn't matter! There are no rules that can't be broken; this isn't a matter of rules anyway. At most this is simply a way of looking at a story and seeing its possibilities and limitations before you start writing. 

The "Closed Circle of Suspects" category is surprisingly flexible, and successful stories certainly number in the hundreds, if not thousands. All you need is a setting that encloses a definite group of people so that, when a crime (usually murder) occurs, you know the perpetrator has to be one of that group. It would be cheating, I think, to bring in a long-lost heir to the victim's fortune in the last chapter. "Hi! I'm Malaria von Hatchet. Am I too late for Grandfather's funeral?" The suspects are well defined and don't usually number more than about eight. That's another reason my story is not a true closed circle. There are more than a hundred residents at the resort at any one time. They can't all be suspects.

A common Closed Circle mystery is the English Country House Mystery. Examples include The Mysterious Affair at Styles, The Mousetrap, both by Agatha Christie, and The Woman in White by Wilkie Collins. But it doesn't have to be English. How about Knives Out? It's in a country house, but it's set in the USA

A Closed Circle mystery can also be set in many places other than a country house.

    A ship- Death on the Nile, The Woman in Cabin 10.

    An Island - And then there were None, The Lost Island

    A Plane - Death in the Clouds, The 12:30 from Croydon.

    A Train - Murder on the Orient Express, Strangers on a Train

You get the idea. The advantage of mystery stories with closed circles is that the list of possible perps is limited. This gets one variable under control and simplifies things a bit. So the story is usually concerned with opportunity, (Who had access to the gun cabinet? Who left the dining room before dessert?) or motive (money, jealousy, fear, etc.)

The kind of mystery I most like to read is the police procedural. I enjoy reading them because they are so different from what I write, I don't connect them with my own work. If I did, I would be constantly comparing the book with my own. In police procedurals you almost always have a a huge area, like a city, in which to find and trap your killer. It takes the skill and training of a professional sleuth to deal with the possibilities.

Many cozies are, to some extent, Closed Circle stories, like the village of St. Mary Mead. Donna Andrews's bird-themed books are set in Yorktown, VA.  Rita Mae Brown's Mrs.Murphy books are set in Crozet, VA. Crozet is such a small town, it almost qualifies as a Closed Circle. 

So. Whereas my current WIP is not strictly a Closed Circle, the story does concentrate on one particular group of guests at the spa resort. I guess that makes it An Almost Closed Circle of Suspects.

MYSTERY AUTHORS’ PETS by Catty Doggens, Guest Blogger

 

James Patterson's cat

Many of our favorite mysteries include pets, and in homage to May being National Pet Month, here are some mystery authors' pets!

I can't say whether it helps James Patterson crank out yet another bestseller, but his cat Redboy sits on his head. Patterson says "He's a head cat, not a lap cat."

Janet Evanovich has a Havanese named Ollie and also has a "Readers' Pets" column on her website.

We know that long walks in nature can inspire writers, but David Baldacci quipped that "our dogs hid their leashes because we were walking them too much."

Val McDermid was adopted by a cat who followed her home one night and yowled at her door until she opened it. The cat strode right in and soon became a fat, curry-loving member of the family.

IS TRUTH REALLY STRANGER THAN FICTION? by Penny Hutson

 

On a recent sojourn to one of my favorite places, Barnes and Noble, I found the most unusual book. While searching for anything I could find on Joan of Arc, the history of France and the Hundred Years War, I stumbled upon Bad Days in History: A Gleefully Grim Chronicle of Misfortune, Mayhem, and Misery for Every Day of the Year by Michael Farquhar. The cover depicted a cartoon drawing of a wooden Trojan Horse and an ancient Greek soldier tentatively holding an apple up to its mouth. It made me smile, so I added it to my other finds and headed to the on-site Starbucks. With a cappuccino in one hand and a stack of paperbacks and hardcovers cradled in my other arm, I commandeered a table to peruse my treasures.

In the Bad Days in History, the author chronicles the epic misfortunes and terrible bad luck of some of the most absurd and often little-known occurrences of our time with a touch of light-hearted humor. Plucked from the ancient days of yore to the 2000s, this tome consists of 365 uproarious blunders and catastrophes from around the world.

WHAT IS IT ABOUT APRIL? by Michael Rigg

Remember the soothsayer’s warning about the Ides of March? Well, history teaches us that we should be more wary about the Ides (and other days) of April, notwithstanding that old saw about April showers bringing May flowers. Consider this list: Abraham Lincoln murdered by John Wilkes Booth, the Titanic’s unplanned meeting with an iceberg, the 1927 Great Mississippi River Flood (the worst flood in U.S. history), the San Franciso earthquake, the Virginia Tech shooting, the Oklahoma City Bombing, and Columbine High School—which happened on April 20^th, the birthday of that little Austrian Corporal who caused such death and destruction in the Second World War. Each of these horrific events, and likely many others, occurred in April.

And you don’t need to take my word that April is a Disaster-O-Rama. For a more comprehensive listing of events and a comparison of April with other months, see the post: Does More Tragedy Happen In April? - GeekDad. I suspect that you might need a bit of bourbon as the spark of recognition, and perhaps fear, makes the hair on the back of your neck stand at attention.

But we can’t just stay under the covers for an entire month, can we? We have lives to lead. Books to write. Families to raise. So, despite what challenges April may bring, we must do our best to cope, to deal with each hurdle that presents itself. Right?

So, you think your April has been rough? This blog highlights a book one of the most challenging months of April ever to face us as Americans, a month that could have brought about the destruction of our nation—and of government of the people, by the people, and for the people.

In April 1865: The Month That Saved America, Jay Winik delivers a compelling narrative detailing the last days of the American Civil War and our first steps toward national reconciliation. Our experiment with disunion didn’t happen overnight. The cannonade against Fort Sumter in 1861—another April event—might have been the final spark, but, as Winik painstakingly details, threats of secession—from every geographic quarter, not just the South—haunted our nation almost immediately after John Hancock signed the Declaration of Independence.

However we got there, four wars of civil war took their toll. Over 600,000 Americans—nearly one-twelfth of the Northern states’ population and one-fifth of the Southern states’ population—lay dead. Southern cities smoldered in ruin. An attempt to behead the government, including President Lincoln’s assassination and attacks on the Vice President and Secretary of State, had nearly succeeded. Bitterness from the brother-versus-brother conflict could have easily plunged our country into an ongoing Hatfield-McCoy nightmare. But that future didn’t come to pass. Why?

According to Winik:

April 1865 was incontestably one of America’s finest hours: for it was not the deranged spirit of an assassin that defined the country at the war’s end, but the conciliatory spirit of the leaders who led as much as in peace as in war, warriors and politicians who, by their example, their exhortation, and their deeds, overcame their personal rancor, their heartache, and spoke as citizens of not two lands but one, thereby bringing the country together. True, much hard work remained. But much, too, had already been accomplished.

As is often the case, books like April 1865: The Month That Saved America, provide perspective and lessons beyond the historical situation discussed. Some might argue that we, today, face another crisis of national identity and unity. I’ll let you reach your own judgment on that point. But I’ll leave you with this disturbing question: One-hundred years hence, will a college history professor write a book called April 2024: The Month that Doomed America?

I hope not. Mirroring Winik’s basic premise, I pray that our current batch of leaders and politicians may “. . . by their example, their exhortation, and their deeds, overcame their personal rancor, [and] their heartache,” to recall that we are citizens of a single nation, with a single flag, and a common commitment to life, liberty, and the pursuit of happiness.

Oh my! This is supposed to be a blog about mystery writing by the sea. Why are we even thinking about the calamities of April and the potential destruction of our way of life? It’s the story. April 1865: The Month That Saved America is both great history and a great story. And, April 1865 unfolded, no one knew how it would end. Once you read this book, I think you will agree that it reads like a novel, full of twists-and-turns and cliff hangers. Fiction or non-fiction, a great narrative is a thing to behold. Fiction speculates about what characters—people invented in the writer’s imagination—will do in response to circumstances. Non-fiction tells us how real people reacted.

Here's wishing you a happy and uneventful remainder of April. Those May flowers will be with us soon, I hope.  

 

CREATIVITY FOR THE LOVE OF IT, PART 2: FANWORKS by Max Jason Peterson

The Magicians by Lev Grossman

This is the second post in my series about art for art’s sake. Part One focuses on poetry. Today I’m going to talk about another form of creativity for the love of it that enriches my life: fanworks.

Fanworks are art forms dreamed up by fans for other fans to enjoy, sharing their love of the original creator’s characters and world. The fans who make them often introduce as many people as they can—friends, family, total strangers—to the original works that provide the foundation of their own. Though some people who create fanworks also have professional lives or ambitions as artists or writers, the majority are only interested in making art for their fandoms. Many are amazingly talented, designing things of great power and beauty. And the love shines through, touching other fans. There’s a great spirit of generosity and community here, which is important: for fanworks are paid only in appreciation and the joy of playing in a beloved universe.

Indeed, “joyful play” is the name of the game: this apt description for fanfiction comes from Naomi Novik, author of the Temeraire series of fantasy novels and cofounder of Archive of Our Own, a nonprofit and inclusive repository of fanworks that received a Hugo Award in 2019 for Best Related Work. A fanfic author herself, she’s among those interviewed for “The Boy Who Lived Forever,” an insightful article about fanfic by Lev Grossman, author of the Magicians series of fantasy novels—whose characters and world I celebrate in my own fanworks.