COASTAL CRIMES 2: DEATH TAKES A VACATION By Mystery by the Sea Authors

 

 March 10, 2025 (Monday) 7pm Est – Zoom Meeting – Session open to the public

Topic: Coastal Crimes : Death Takes a Vacation anthology. Come hear the authors discuss their story location, characters, and story inspiration on a moderated panel.

Description: Get ready to travel to mysterious vacation destinations in Coastal Crimes: Death Takes a Vacation anthology by members of Sisters in Crime, Mystery by the Sea chapter.

The stories are set in and around Virginia. Each of the fourteen stories transports readers across a rich, unique, and deadly landscape in the Coastal Plain of Virginia, North Carolina, and east of I-95. This collection includes vacation getaways from the shores of Virginia Beach to the Eastern Shore, and the Outerbanks of North Carolina. So, pack your bags to visit premier destinations filled with mystery, murder, and a coastal view.

Teresa Inge is inviting you to a scheduled Zoom meeting.
Mar 10, 2025, 07:00 PM Eastern Time (US and Canada)

Join Zoom Meeting
https://sistersincrime-org.zoom.us/j/5192298030...

Meeting ID: 519 229 8030

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DETECTABLE by Judy Fowler

 

It’s spring—a time when reminders of my annual medical appointments pop up in my text feed like the daffodils outside my writing room window.    

Doctors’ offices remind me of police stations, which remind me of crime fiction. I don’t want to play the protagonist in a real-life thriller if I can help it. Since achieving a certain unmentionable age, when I hear myself say, “Uh-huh. Dr. Smith, Thursday the sixth, 11:45 a.m. Got it,” I know there’s a chance I’ll end up in a specialist’s office.

I recall when my retired inlaws put up a large calendar reserved for medical appointments in their kitchen. Now that I've started highlighting my doctors’ appointments in bright orange, I see why they did that. If I see the appointment coming, I've got a few days to get my story straight before the gumshoe in the white lab coat starts asking questions. 

Despite that preparation time, I always confess to something I meant to keep secret. Maybe it’s the way they send out an informant to put me on the scale just before my interview. It puts me on my back foot so that I feel guilty when I’m left alone in the cold interview room waiting for the lead detective to arrive.

Armed with evidence of my weight, it’s not hard for the investigator to get me to cop to other things, like how much coffee I drink or how little I exercise on the days I write. Unlike a tag team of trenchcoat-wearing detectives with little brown notebooks, the lone medic in white plays both good and bad cop while typing out everything I say.

The detection rate for murders is 90%, but the detection rate for cholesterol must be higher. That’s according to an informal survey of friends my age now. At seven years old, I feared the word “shot” the way I now fear the word “statin.”

My instinct as a writer to say whatever I'm thinking often leads to a specialist referral. For example, a few years back, after an eventless annual physical, I noticed aloud that my previously shapely legs seemed to be “looking more and more like my grandmother’s legs.” Out came the referral pad. As the song goes, the leg thing's connected to a neck thing. Now I’m serving two to five with a specialist whose prescription—after getting a blood sample and checking me for neck polyps twice every year—is for me to drink more water.

Before a friend's primary care physician died a few years back, all the patients received invitations to reminisce at a gathering in a downtown bar. Their final prescription? Get good and drunk. That sounds like a detective to me.

I don't know how these Sherlocks--criminal or medical--feel after another day of uncovering humanity's foibles and weaknesses. They deserve to tie one on at happy hour. It’s nice to know that one practitioner of the art of detection thought his patients deserved that, too.

 

  

BREAKING THINGS by Judy Fowler

Why was I breaking things? 

As I struggled to hang heavy curtains I'd sewn and lined, their fabric caught on the neck of a vintage pink vase and toppled that lovely heirloom to the floor. I froze. Four large pieces and smaller shards of irreplaceable glass lay near my feet. I wanted the pieces to jump up and put themselves back together. The vase had previously belonged to a grandmother I'd only known for four years before she died. 

POINT OF VIEW by Judy Fowler

In romantic fiction, opposing points of view often threaten a couple's future. Here are three real-world point-of-view obstacles. Will romance prevail? Answer key at the bottom.

1. Hanging pictures 

A widower new to dating offered to hang wall art in his ladyfriend's apartment. 

She: "I've had bad experiences with men helping me hang pictures. I'm very particular about the height of each piece."

He: Don't worry. I've brought a level and a pencil. Show me how high you want them."

She watches as picture after picture goes up. "They're all too high. I have to crane my neck to see them."

He: "I hung them at eye level." 

She: "Not my eye level." 

He: "I marked the top of each where you said to mark it."

She: (under her breath) "I'll have to paint that whole wall to cover the holes."

He (gruffly): "Don't forget to buy spackle." 

2. Purchasing power 

Two singles about to merge family lives walk on the beach in summer. The couple hold hands and stare out at boats on the water.   

"You know, at the end of the season, we could get one of those for three hundred dollars."

"Really?" the other asks. "How great would that be? We could have all the kids on it for parties. We could swim off the sides. They could invite their friends!"

"What the hell are you looking at?"

The other points to a pontoon boat.

"I'm looking at that rowboat!" 

3. Wedding day priorities

"Chris wanted a band," my balance instructor Jacqui said last week. "I thought that was great, even if it ate up a lot of our budget. I looked for things to cut back on—like flowers. I'm repurposing artificial bouquets for table arrangements."

She showed me a photo of her arrangements. "And here's a picture of Tucker trying on his tuxedo." 

I've never met Chris but have spent many hours in the Cova Church gym with the pretty bride-to-be and her Brittany spaniel. I'd just thrown Tucker a chew toy to chase. "What does Chris think of you spending money dressing Tucker for the wedding?" I asked. 

"You can't go naked to the wedding, can you, Tucker?" Jacqui cooed. "It was Chris's idea to make him Best Dog."

Jacqui worried she wouldn't get everything done, and Chris needed to be sure tablecloths were a vital line item. I worried about the dog, a pointer that's always in motion. "I doubt he can walk calmly down the aisle even on a leash, Jacqui," I said.

"No worries," she assured me. "He's practicing every day. He'll be fine."

"Does Chris have a best man?"

"Of course. He'll stand next to Tucker."

At that moment, the 'best dog' held a spit-slathered toy in his mouth. 

"He's not holding the ring, is he?" I asked.

I swear Tucker gave me a dirty look. 

Answers. Romance prevailed in all three scenarios. 1. When she realized she should tell men where she wanted the bottom of the picture rather than the top, the woman apologized. We're still dating. 2. Twenty years later, whenever financial reality testing is needed, one or the other will say, "Never mind. It's a three-hundred-dollar boat." 3. The wedding is today. I hope Tucker's ready.

 

WHY I READ by Judy Fowler

Abraham Lincoln's mother,
Nancy Hanks

I kicked off January by spending way too many hours watching televised souls struggle for power in D.C. Eventually, I looked away and visited friends, and promptly picked up Covid. 

Post-quarantine, I squeaked through a medical clearance exam for cataract surgery. In the days before it, I've used my bad eyes to drive a senior friend to appointments after his family took his car and left me to sort out his cognitive challenges day by day. 

I was listening to too much news and building up revenge fantasies. Life in the new year felt like an airless room. 

I went on an empathy quest. The quickest way to find it? Read.      

Even as a child, I picked up a book to find out how others felt when they went through things. I could be with someone else in ways childhood had yet to afford me. I got relief from the pressure of self-consciousness.  

Whether the struggling character was Abe Lincoln's mother (that's her, Nancy Hanks, Kentucky Girl, in the portrait above), or the starch-capped Sue Barton, Student Nurse, their journeys and how they felt about them gave me access to another person's point of view. I could ponder how I'd handle their challenges. I appreciated their innate resources and thought about my own. 

I lived in a 'don't talk about your feelings' world. Stories allowed me to sort out my feelings. 

Empathic authors took time to draw characters for me. I felt loved and cared for the more I loved and cared for those characters. 

My father lived with us, but I admired how Pippi Longstocking, who survived alone with just a horse and a monkey, handled the arrival of a truant officer. What would I have done? The Five Little Peppers lived with their widowed mother. Teamwork allowed them to preserve the fun of childhood. 

When The Borrowers lost their home in the wall of a house and had to live in a field, it scared me. My heart went out to them. They were indoor people. So was I.

But they made it. 

I learned, one slow or fast page at a time, how others perceive Which resources they do or don't have.  Storytellers opened a window to different perspectives. 

Empathy was the air in the room. 

Now, whether I'm reading how Things Fall Apart for people drawn by Chinua Achebe, or Going Rogue with Janet Evanovich's Stephanie Plum, I connect with a character, experience their perspective, and feel what they feel. 

In just moments, we meet where it matters. I relax into compassion for us both. 

They see things through. They don't quit. It's all about the three acts for them, and not just the moment at hand. 

Thanks to the thoughtfulness of writers, I can see someone else's story arc and know my own. 

Why do you read?

SURRENDER, DOROTHY by Guest Blogger Judy Fowler

Intimidating words. Plucky Dorothy Gale—the protagonist in Frank Baum’s The Wizard of Oz—isn’t scared off for long. Eventually, she’ll confront her fear of witches because she wants to go home.      

In parts of my life, I’m like Dorothy. When my own “Over the Rainbow” dreams of singing on Broadway and writing books met with setbacks, I threw my support behind my husband’s acting career. All I asked for—if he made it—was a house in Beverly Hills where I could write. This never materialized. I went back to school and bought myself a house in Virginia Beach.

I could have done that earlier, but—like Dorothy—I had to learn it for myself.